The Ruth Rubin Legacy
Archive of Yiddish Folksongs

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Poverty and Work

Title

Poverty and Work

Rights

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YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Di Grine Kuzine

Title

Di Grine Kuzine

Date

1950

Description

[From tape marked

Rights

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Di Grine Kuzine,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/1901.
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Bin ikh mir a shnayderl

Title

Bin ikh mir a shnayderl

Date

1955

Description

[Notes on spine of tape box:] Misc. Ballads. Love Songs. Dance Songs. [Notes on back of tape box:] Tape No. 56 of 101. LWO No. 12,330 ?? Speed 7.5. Tracks: Full. Mono. Tape #63: Ballads, Love, dancing songs.

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Bin ikh mir a shnayderl,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/2011.
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Tates mames kinderlekh boyen barikadn

Title

Tates mames kinderlekh boyen barikadn

Date

1948

Description

[Ruth Rubin sings harmony at end & adds a spoken comment:

Rights

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Tates mames kinderlekh boyen barikadn,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/1879.
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Bin kh mir a stoyerl

Title

Bin kh mir a stoyerl

Date

1962

Description

Same as "Melokhe melukhe"

Rights

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Bin kh mir a stoyerl,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/1917.
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Bin ikh mir a shnayderl

Title

Bin ikh mir a shnayderl

Date

1947

Description

Ora is eleven years old.

Rights

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Bin ikh mir a shnayderl,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/1919.
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A shnayder bin ikh oykhet

Title

A shnayder bin ikh oykhet

Date

1948

Description

(work song)

Rights

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“A shnayder bin ikh oykhet,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5284.
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Hob ikh mir a shpan

Title

Hob ikh mir a shpan

Date

1948

Description

(work song)

Rights

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Hob ikh mir a shpan,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5285.
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Vi azoy s’iz nisht git tsi geyn

Title

Vi azoy s’iz nisht git tsi geyn

Date

1948

Description

(work song)

Rights

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Vi azoy s’iz nisht git tsi geyn,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5286.
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In droysn geyt a regn

Title

In droysn geyt a regn

Date

1965

Description

[note from RG 620 black book work song]

Rights

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“In droysn geyt a regn,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5292.
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Shnel loyfn di reder

Title

Shnel loyfn di reder

Date

1966

Description

[Note from Ruth Rubin tape box log] (Protest song based on text by D. Edelshtat) [Note from black hardbound catalog for tape 36:] A talk with Daniel Lipkovitsh, Sholem Wasiliewsky, Yehudis Wasiliewsky (his friends). As the conversation progressed Daniel touched upon many types of YIDDISH SONGS (folk and authored) he recalled from his childhood and youth in Warsaw. As he remembered them, he sang them. They are listed in the order of their occurrence on the tape. (taped 1964-1966)

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Shnel loyfn di reder,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5351.
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Ver zent ir liber yid?

Title

Ver zent ir liber yid?

Date

1966

Description

[Note from Ruth Rubin tape box log] (Street vendor’s song) [Note from black hardbound catalog for tape 36:] A talk with Daniel Lipkovitsh, Sholem Wasiliewsky, Yehudis Wasiliewsky (his friends). As the conversation progressed Daniel touched upon many types of YIDDISH SONGS (folk and authored) he recalled from his childhood and youth in Warsaw. As he remembered them, he sang them. They are listed in the order of their occurrence on the tape. (taped 1964-1966)

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Ver zent ir liber yid?,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5360.
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Hert zikh ayn, libe mentshn

Title

Hert zikh ayn, libe mentshn

Description

[Note from Ruth Rubin tape box log] (Beggar’s song, sung here by Ruth Rubin) [Note from black hardbound catalog for tape 36:] A talk with Daniel Lipkovitsh, Sholem Wasiliewsky, Yehudis Wasiliewsky (his friends). As the conversation progressed Daniel touched upon many types of YIDDISH SONGS (folk and authored) he recalled from his childhood and youth in Warsaw. As he remembered them, he sang them. They are listed in the order of their occurrence on the tape. (taped 1964-1966)

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Hert zikh ayn, libe mentshn,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5361.
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Vi azoy s’iz nisht git tsi geyn

Title

Vi azoy s’iz nisht git tsi geyn

Date

1948

Description

[Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Vi azoy s’iz nisht git tsi geyn,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5401.
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Kh’bin geforn keyn Ades

Title

Kh’bin geforn keyn Ades

Date

1955

Description

[Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Kh’bin geforn keyn Ades,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5402.
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A gantse vokh

Title

A gantse vokh

Date

1955

Description

[Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given. 41319

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“A gantse vokh,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5403.
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A gantse vokh

Title

A gantse vokh

Date

1961

Description

[Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“A gantse vokh,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5404.
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Zuntik bulbe

Title

Zuntik bulbe

Date

1961

Description

[[Is this the same as A. S. Zachar aka “Lerer” Zachar ??] Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Zuntik bulbe,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5405.
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Dire-gelt

Title

Dire-gelt

Date

1962

Description

[Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Dire-gelt,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5406.
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Uha, ikh libe dir (Eyn un tsvantsik, tsvey un tsvantsik)

Title

Uha, ikh libe dir (Eyn un tsvantsik, tsvey un tsvantsik)

Date

1955

Description

Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Uha, ikh libe dir (Eyn un tsvantsik, tsvey un tsvantsik),” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5407.
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Proletarke shvester mayne

Title

Proletarke shvester mayne

Date

1955

Description

[Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Proletarke shvester mayne,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5408.
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Ikh zog der baleboste

Title

Ikh zog der baleboste

Date

1955

Description

Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Ikh zog der baleboste,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5409.
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Ikh shtey oyf gants fri

Title

Ikh shtey oyf gants fri

Date

1955

Description

[Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Ikh shtey oyf gants fri,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5410.
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Tsu danken un tsu loybn

Title

Tsu danken un tsu loybn

Date

1955

Description

{Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Tsu danken un tsu loybn,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5411.
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Zuntik bulbes

Title

Zuntik bulbes

Date

1956

Description

Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Zuntik bulbes,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5412.
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Kh’bin geforn keyn Ades

Title

Kh’bin geforn keyn Ades

Date

1948

Description

Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Kh’bin geforn keyn Ades,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5413.
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In droysn geyt a drobinker regn

Title

In droysn geyt a drobinker regn

Date

1948

Description

Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“In droysn geyt a drobinker regn,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5414.
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Eyder ikh leyg mikh shlofn

Title

Eyder ikh leyg mikh shlofn

Date

1948

Description

[Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Eyder ikh leyg mikh shlofn,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5415.
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Tog azoy vi nakht

Title

Tog azoy vi nakht

Date

1948

Description

[Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Tog azoy vi nakht,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5416.
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Zaritski hot tsen kinder

Title

Zaritski hot tsen kinder

Date

1948

Description

Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Zaritski hot tsen kinder,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5417.
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Ot azoy neyt a shnayder

Title

Ot azoy neyt a shnayder

Date

1948

Description

Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Ot azoy neyt a shnayder,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5418.
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Gey ikh mir in fabrik

Title

Gey ikh mir in fabrik

Date

1963

Description

Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Gey ikh mir in fabrik,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5419.
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Oy, vyo, vyo

Title

Oy, vyo, vyo

Date

1963

Description

[Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Oy, vyo, vyo,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5420.
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Zuntik bulbes

Title

Zuntik bulbes

Date

1962

Description

Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Zuntik bulbes,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5421.
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Mit a nodl, on a nodl

Title

Mit a nodl, on a nodl

Date

1962

Description

Note from black hardbound catalog:] Fragment. Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Mit a nodl, on a nodl,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5422.
Submit a transcription, translation or additional information on the song or the performer

Dire-gelt

Title

Dire-gelt

Date

1962

Description

[Note from black hardbound catalog:] Whenever noises are heard on the tape, they are either from traffic noises which intruded themselves into the area where taping was taking place, or the noises of restlessness and fidgeting on the part of the group, which was present. Taping in groups stimulated the memory. Hearing the singers, the response would often be, “That’s not the way I sang it.” And their variants would be given.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Dire-gelt,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5423.
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Az men fort keyn Sevastopol

Title

Az men fort keyn Sevastopol

Date

1954

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Az men fort keyn Sevastopol,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5844.
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Kegn gold fun zun

Title

Kegn gold fun zun

Date

1954

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Kegn gold fun zun,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5845.
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Dzhankoye

Title

Dzhankoye

Date

1964

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Dzhankoye,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5858.
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Kegn gold fun zun

Title

Kegn gold fun zun

Date

1948

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Kegn gold fun zun,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5862.
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O, di velt vet vern yinger

Title

O, di velt vet vern yinger
Di tsukunft

Date

1967

Description

Tsukunft yugnt khor Memoirs, Warsaw, Poland, 1920s-1933. Moshe Perenson and Avrohom Slucki recall the composer Yosef Glatshteyn, who trained the singers in this chorus. Moshe Perenson stresses certain aspects of this youth chorus and also his work with dramatic groups, etc. The general tone of this talk is sparked by inspiration and warm memories. Their enthusiasm of the years of their youth permeates their words. Perenson concludes with a few vivid comments about the gala national jamboree of Jewish working youth from all over Poland, in 1933, in the Tsirk- where Moyshe Broderson’s poetic creation “Der iberbrukh” (built on historical episodes of the Jewish working class movement in Poland) was presented. The sports organization Der morgnshtern was also part of this huge gala performance. Avrohom Slucki then adds some of his own memories and sings the songs which his young 12 year old brother (at the time), Elye-Leyb Slucki, sang at that particular gala performance, O, di velt vet vern yinger, etc. (Text Morris Winchevsky). Slucki concludes with additional memories, which he continues on the next tape. Information from LC tape log. No log in RG 620 tape box.

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“O, di velt vet vern yinger,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5954.
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Tsukunft yugnt khor Memoirs Complete I

Title

Tsukunft yugnt khor Memoirs Complete I

Date

1967

Description

Tsukunft yugnt khor Memoirs, Warsaw, Poland, 1920s-1933. Moshe Perenson and Avrohom Slucki recall the composer Yosef Glatshteyn, who trained the singers in this chorus. Moshe Perenson stresses certain aspects of this youth chorus and also his work with dramatic groups, etc. The general tone of this talk is sparked by inspiration and warm memories. Their enthusiasm of the years of their youth permeates their words. Perenson concludes with a few vivid comments about the gala national jamboree of Jewish working youth from all over Poland, in 1933, in the Tsirk- where Moyshe Broderson’s poetic creation “Der iberbrukh” (built on historical episodes of the Jewish working class movement in Poland) was presented. The sports organization Der morgnshtern was also part of this huge gala performance. Avrohom Slucki then adds some of his own memories and sings the songs which his young 12 year old brother (at the time), Elye-Leyb Slucki, sang at that particular gala performance, O, di velt vet vern yinger, etc. (Text Morris Winchevsky). Slucki concludes with additional memories, which he continues on the next tape. Information from LC tape log. No log in RG 620 tape box.

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“Tsukunft yugnt khor Memoirs Complete I,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5955.
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Heylik iz di natur

Title

Heylik iz di natur
Arbeter-shvue

Date

1967

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Di shtib iz klayn, di shtib iz alt

Title

Di shtib iz klayn, di shtib iz alt
Der kranker shnayder

Date

1967

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Es hert zikh a mekhtike ruf umetum

Title

Es hert zikh a mekhtike ruf umetum
Tsu dem zig

Date

1967

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Tsukunft yugnt khor Memoirs Complete II

Title

Tsukunft yugnt khor Memoirs Complete II

Date

1967

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Neyn, neyn, neyn, mer zing ikh nisht

Title

Neyn, neyn, neyn, mer zing ikh nisht

Date

1967

Description

Avrohom Slucki continues with memories and sings a song which he sang in the chorus: Neyn, neyn, neyn mer zing ikh nisht. He tries to remember fragments of some of the other parts of this presentation. He then sings David Einhorn’s Di beryozkele. And then Yene lider velkhe klingen. Moshe Perenson continues with Du fregst mikh, mayn fraynd, and concludes with a few remarks about a current work on Yiddish theatre in Europe which he is preparing with an editorial committee (in Yiddish) in new York (published 1968).

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Di beryozkele

Title

Di beryozkele

Date

1967

Description

Avrohom Slucki continues with memories and sings a song which he sane in the chorus: Neyn, neyn, neyn mer zing ikh nisht. He tries to remember fragments of some of the other parts of this presentation. He then sings David Einhorn’s Di beryozkele. And then Yene lider velkhe klingen. Moshe Perenson continues with Du fregst mikh, mayn fraynd, and concludes with a few remarks about a current work on Yiddish theatre in Europe which he is preparing with an editorial committee (in Yiddish) in new York (published 1968).

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YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

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“Di beryozkele,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5961.
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Yene lider velkhe klingen

Title

Yene lider velkhe klingen

Date

1967

Description

Avrohom Slucki continues with memories and sings a song which he sane in the chorus: Neyn, neyn, neyn mer zing ikh nisht. He tries to remember fragments of some of the other parts of this presentation. He then sings David Einhorn’s Di beryozkele. And then Yene lider velkhe klingen. Moshe Perenson continues with Du fregst mikh, mayn fraynd, and concludes with a few remarks about a current work on Yiddish theatre in Europe which he is preparing with an editorial committee (in Yiddish) in new York (published 1968).

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YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

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“Yene lider velkhe klingen,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5962.
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Du fregst mikh, mayn fraynd

Title

Du fregst mikh, mayn fraynd

Date

1967

Description

Avrohom Slucki continues with memories and sings a song which he sane in the chorus: Neyn, neyn, neyn mer zing ikh nisht. He tries to remember fragments of some of the other parts of this presentation. He then sings David Einhorn’s Di beryozkele. And then Yene lider velkhe klingen. Moshe Perenson continues with Du fregst mikh, mayn fraynd, and concludes with a few remarks about a current work on Yiddish theatre in Europe which he is preparing with an editorial committee (in Yiddish) in new York (published 1968).

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YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

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“Du fregst mikh, mayn fraynd,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5963.
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Tsukunft yugnt khor Memoirs Complete III

Title

Tsukunft yugnt khor Memoirs Complete III

Date

1967

Description

Avrohom Slucki continues with memories and sings a song which he sane in the chorus: Neyn, neyn, neyn mer zing ikh nisht. He tries to remember fragments of some of the other parts of this presentation. He then sings David Einhorn’s Di beryozkele. And then Yene lider velkhe klingen. Moshe Perenson continues with Du fregst mikh, mayn fraynd, and concludes with a few remarks about a current work on Yiddish theatre in Europe which he is preparing with an editorial committee (in Yiddish) in new York (published 1968).

Rights

YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.

The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.

Citation

“Tsukunft yugnt khor Memoirs Complete III,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5964.
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Tates, mames, kinderlekh

Title

Tates, mames, kinderlekh
Barikadn

Date

1948

Description

Kaczerginsky describes the background of this song. Tape song order as per version on LC tape/log

Rights

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The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.

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“Tates, mames, kinderlekh,” YIVO Online Exhibitions, accessed October 22, 2020, https://ruthrubin.yivo.org/items/show/5991.
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